Aria Guitar Serial Number Lookup
Posted By admin On 28/05/19Gibson serial numbers 1952 to 1961, solidbody model.
Apr 26, 2016 Hi there, I own an Aria ProII Avante Series 6 string bass serial number S4080836 made of Swamp Ash body and 3 piece rock maple neck through, natural finish, original pickups and preamp. I would like to know the year and country where it was built. It is a great sounding bass: I suppose it was made between 1995 and 1998. * Actual number in log: Benedetto did not adopt his current serial number system until his third guitar, serial #0372. Seven guitar serial numbers are follwed by the letter 'A'. Example: archtop guitar #23891 and #23891-A are two separate instruments even though both are numbered the '238th'.
An ink-stamped number from the back of the headstock.
Gibson released solidbodies in 1952. No serial numbers were used, Gibson just started therewith in 1953.
The first digit of the serial number is the last digit of the year. If the stamped number consists 5 digits, there is a space between the first and second digit (a separation between the last digit of the year and the actual serial number).
When a six-digit serial number is concerned, there is no space, because the highest number in four digits (9999) has been exceeded and so fills the space. This was the case in the years 1955, 1956, 1959 and 1960.
In 1955, Gibson forgot to put back the serial number range to 0001.
So they had just put the year from 4 to 5. For this reason, the array of four-digit serial number was exceeded after 9999.
Thence 5 digits and no space between the year (5) and the serial number. (After 5 9999 came 510 000)
Evidently the production was high in 1956 because '6 9999' is exceeded. Also in 1959 and 1960 there was a high production, '9 9999' is exceeded for '932 000' or higher.
Therefore, the production in 1959 may be a '1', '2' or '3' in the second digit.
Gibson stopped the stamped serial numbers at the end in 1960, although there are a few guitars made in 1961 with a '1' as a prefix. Some lap steels and Les Paul's from 1961 have such a serial number.
Another exception to the above rules is in the autumn from 1958, where a some Les Paul Juniors and Specials had a four-digit serial number.
| 1st digit | PRODUCTION YEAR |
| None | 1952 |
| 3 | 1953 |
| 4 | 1954 |
| 5 | 1955 |
| 6 | 1956 |
| 7 | 1957 |
| 8 At the end of 1958 had some LP Juniors/Specials a four-digit serial number without prior year digit. | 1958 |
| 9 | 1959 |
| 0 | 1960 |
| 1 (rare) | 1961 |
Gibson serial numbers, early to mid seventies.
From 1970 to 1975, the 6-digit serial numbers randomly generated.
In a random sequence numbers were stamped on the back of the headstock. For some instruments, preceded by a letter.
It was also from 1970 'MADE IN USA' stamped on the back of the headstock. Some instruments from the fifties also had been such a stamp.
Gibson serial numbers, 1970-1975.
The same confusing six-digit serial system of the sixties was maintained until 1975. This means that instruments with the same serial number can be from the 60s or 70s.
Guitars got six digits in any order, and in some cases they were preceded by a letter that none seemed to have no smeaningful sense.
Note that the series of between 1970 and 1975, may be an overlap from production in 1964 and 1965.
The table below shows the years in which the numbers could relate.
| Seral number range | PRODUCTION YEAR |
| 000000 - 099999 | 1973 |
| 100000 - 199999 | 1970 - 1975 |
| 200000 - 299999 | 1973 - 1975 |
| 300000 - 399999 | 1974 - 1975 |
| 400000 - 499999 | 1974 - 1975 |
| 500000 - 599999 | 1974 - 1975 |
| 600000 - 699999 | 1970 - 1972 and 1974 - 1975 |
Dean Guitar Serial Number Lookup
Serials 1977-2013.
The most sustainable numbering system Gibson was launched in 1977, an eight-digit number. The first and fifth digit representing the year of manufacture. The three intermediate digits, the day of that year. The digits to six to eight gave the serial number.
After opening of the new factory in Nashville, in the sequence numbers were also included the production site. 001 to 499 appeared on the instruments built in Kalamazoo, 500 to 999 built in Nashville.
Even after the closing of the factory in Kalamazoo in 1984, this process was continued until 1989 in Nashville.
In 2005 the system was upgraded to first digit at the end of the batch number was inserted. The sequence numbers were 500 to 699, after which the batch number 1 was increased, and the number returned 500.
Serial numbers 2014 to present.
Gibson's most simplest system was introduced in 2014. A nine-digit serial number stamped. The first two digits indicate the year, the rest is the serial number for all guitars produced that year.
Every year starts with serial 0000001.
Matsumoku Industrial was a Japanesemanufacturing company in Matsumoto, Japan, between 1951 and 1987.[1] Established in 1951[2] as a woodworking and cabinetry firm, Matsumoku is remembered as a manufacturer of guitars and bass guitars, including some Epiphone and Aria guitars.
Aria Guitar Serial Number Lookup
(There is occasional confusion between Matsumoku and Matsumoto. Matsumoto is a town in Japan's Nagano Prefecture, where FujiGen Gakki, Gotoh, and other musical instrument companies have manufacturing plants. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument manufacturing cooperative, headed by Gotoh.)
History[edit]
In 1951, Matsumoku was founded as Matsumoto Mokko ('Matsumoto Woodworking Company') by Mr. Tsukada in Matsumoto, Japan. It was a family-owned woodworking business that specialized in building tansu cabinets[2] and butsudan.
Shortly after the World War II (1939-1945), the Singer Corporation had established a Japanese subsidiary, Singer Sewing Machine Company Japan, and set up production facilities in Nagoya. Singer contracted Matsumoku Industrial to build its sewing machine cabinets, and in 1951 Matsumoku became a partially owned subsidiary of Singer Japan. Matsumoku also branched out into building cabinets for manufacturers of televisions and 'hi-fi' amplifiers.
Production[edit]
| Wasburn RS-8V |
In the early 1960s[3] (or mid-1950s[citation needed]), Matsumoku began to look into other woodworking markets when several subcontracts of Singer were moved to the Philippines[3] and, as it had on its staff several skilled luthiers,[citation needed] ventured into guitar and violin[citation needed] production in 1963.[2] Modest classical guitars, small steel stringed acoustic guitars, and violins were built and marketed in the mid-1960s.[3] However, as other Japanese companies were producing similar instruments, Matsumoku set out to distinguish itself by producing high quality acoustic and electric archtop guitars. Several of Matsumoku's early archtop guitars survive, most owing their basic designs to Hofner, Framus, and Gibson. By the early 1960s,[citation needed] Matsumoku had acquired new mills, lathes and specialized presses and began to increase musical instrument production. Combined with its staff of skilled craftsmen, Matsumoku was able to realize the mass production of high quality guitars.
However, because it mainly manufactured guitars under contract, the role of Matsumoku was largely unknown outside of Japan's guitar making circles until its name began appearing on neck bolt plates, headstocks, and sound hole labels in the late 1970s.
By the early 1970s, Matsumoku had begun using CNC (computer numerical controlled) mills, routers, and lathes, one of the first guitar makers to do so. This created a significant economy of scale, allowing the company to rely upon factory automation rather than skilled labor for rough shaping of components and basic assembly tasks. Even so, 60% of the construction process was still done by hand, including planing, fretting, joining, and assembly. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character.
Matsumoku produced guitars, or parts of guitars, for Vox, Guyatone, FujiGen Gakki, Kanda Shokai (Greco), Hoshino Gakki (Ibanez), Nippon Gakki (Yamaha), Aria and Norlin (parent company of Gibson). American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. St. Louis Music imported Matsumoku built Electra Guitars. J. C. Penney sold Matsumoku-built Skylark guitars through its catalog division. Matsumoku built many early Greco guitars as well as Memphis, Vantage, Westbury, Westminster, C.G.Winner, Cutler, Lyle and Fell. Washburn Guitars contracted Matsumoku to build some of its electric guitars and basses from 1979 through 1984. Though the names above reflect Matsumoku's involvement, many of the names were later sold to other companies, which made completely different guitars in quality and sound.
In 1979, Matsumoku began to market its own guitars under the Westone name.
- Various guitars by Matsumoku
Univox Hi-flier (phase 3)
Univox Custom ES-330-style thinline hollowbody, 12-string model
Vantage played by Albert White
Electra played by Eddie Kirkland
Aria[edit]
Shiro Arai founded Arai and Company in 1953 as an importer of classical guitars.[4] In 1960, Arai contracted Guyatone to manufacture guitars. At the time, Guyatone was one of Japan's leading musical instrument manufacturers. However, Guyatone could not meet Arai's production requirements, and in 1964, Arai and Company contracted musical instrument manufacturing with Matsumoku.
Shiro Arai's early Guyatone produced guitars displayed problems when exported caused by the dryer climates in America: bindings became unglued, backs split, and necks broke just below the headstock. These issues were addressed early on with Matsumoku. The solution was to use wood that had been dried for at least two years, stronger glues with longer clamp times, and one feature that remained throughout Matsumoku's production: the 3 piece maple neck.
The relationship between the two companies was both amicable and symbiotic. Aria focused on sales in both domestic and export markets and provided design development. Matsumoku devoted its energies on engineering and building guitars and other stringed instruments. Throughout its 22-year business relationship, Aria remained Matsumoku's principal client. Matsumoku often preferred using Aria as its business agent, and many of Matsumoku's contracts were written by Aria with Matsumoku stated or implied as sub-contracted manufacturer.
Design engineer Nobuaki Hayashi (currently with Atlansia) became part of Matsumoku's engineering team in the mid-1970s. Hayashi's pseudonym, 'H. Noble', appeared on many of the Aria Pro II instruments he designed. Aria's guitars that followed showed remarkable design innovation and a definitive move away from Gibson and Fender forms. Hayashi is best known as the designer of the Aria Pro II, SB-1000 bass and the Aria Pro II, PE series guitars. Some of these were made with Maple bodies but higher end had Ash Body models such as the PE1000 with Protomatic pickups and the PE1500 with DiMarzio Pickups. These Ash Bodied Guitars were only produced in extremely small numbers for the domestic market. However most were, maple bodies. Some Guitars were produced with the Urushi finish and again these were mostly produced for the domestic market, in both red and brown urushi lacquer. The vast majority of these would have Ash Bodies and the export models would be Maple.
Arai and Company guitars were briefly labeled Arai, and then switched to the familiar Aria around 1966. Aria Diamond was a name chosen for its early hollow bodied electric guitars. From 1975 onward, after the arrival of Hayashi, all guitars were labeled Aria Pro II. Aria had two factories that produced guitars besides Matsumoku, one which made classical guitars, and another that made medium grade and specialty guitars.
Matsumoku also manufactured drum kits under the Aria name, initially under licence from Remo who had identified a gap in the market for low-cost drum kits in the compact 5-piece 'rock' configuration as innovated by the Rogers PowerTone range in the early 1970s.
Epiphone[edit]
Gibson decided to move Epiphone production to Japan in the early 1970s and chose Aria as its contractor. As a subcontractor to Aria, Matsumoku manufactured most electric Epiphones made in Japan from 1970 through 1986 (a few solid body electrics were made by other Japanese manufacturers and at least one model was made in Taiwan). Models include the solid body ET series (Crestwood) the SC series (Scroll) and the Model 1140 (Flying V) as well as Epiphone's archtop electric guitars: 5102T/EA-250, Sheraton, Riviera, Casino, and Emperor.
Early Matsumoku made Epiphone archtops and hollow-body basses had four-point bolt on necks. As production costs of bolt on neck guitars were less, some guitarists regarded them as inferior instruments. However, it was not the neck construction, that was inferior (as described below, many Matsumoku-built necks were of premium quality). Rather, it was the lack of reinforcement in the neck pocket area, which could enable, that area to act like a hinge, causing future problems with high action due to tension on the body's neck pocket from the strings. Collectors of Matsumoku guitars from this period have often solved this problem by fabricating and installing permanent custom neck shims. Set neck archtop guitars followed in late 1975. Specifications on Epiphone archtops changed throughout the Matsumoku era.
Gibson changed the look and sound of Epiphone's best selling archtop, the Casino, when production shifted to Japan. Upon its introduction in 1964, the Casino was a strong seller with rock guitarists, but sales stalled in the late 1960s. Gibson decided to remarket it toward jazz players and changed the tailpiece to one from a Riviera, and the pickups to mini-humbuckers. The result was a Casino that looked more like a short scale Riviera. The Casino was restored to its 1965 specifications around 1975, about the same time Matsumoku began production of set neck archtops.
Epiphone ET-270T
Epiphone ET-285
Epiphone 5102T
Distinguishing characteristics[edit]
Many[when defined as?] Matsumoku built guitars, including Epiphone archtops, utilized a 3 piece maple neck with the center section's grain oriented 90 degrees from the side wood. This created a very strong neck not prone to splitting or warping. An often used variation of this is the 5 piece neck with two thin trim strips of walnut or ebony separating the 3 sections. Matsumoku made many neck-through-body solid body electric guitars and basses, most with 5 piece necks.
Matsumoku often[how often?] utilized the Nisshin Onpa company (who own the Maxon Effects brand) as a subcontractor for its pickups. Some Maxon pickups have Maxon's 'M' logo stamped on the back.
The name Matsumoku appeared on the neck bolt plate of some guitars they built. Early Grecos and some 1980s Aria Pro IIs have Matsumoku on the neck bolt plate. Other neck plates were blank or simply had the word 'Japan' stamped on them.
Many[quantify] Matsumoku set neck guitars and basses have the inspector's hon (name stamp) stamped inside the neck pick-up cavity.
End of production[edit]
Gibson restructured after being sold by Norlin and began to move its Epiphone production to other Japanese manufacturers and to Korea. By 1986, the home sewing machine market was in heavy decline and Singer was nearly bankrupt. Matsumoku could not afford to buy itself out of Singer and in 1987, closed down.
After Matsumoku ceased operations, Aria continued production of Aria Pro II guitars and basses through its own factories and other manufactures. Some top line and special edition guitars are still manufactured in Japan, however, most Aria guitars are now produced in Korea and China.
Information about Matsumoku's contribution to guitar making is better known now due in large part to the Internet. Matsumoku's products enjoy a strong following among devoted enthusiasts.[5][better source needed]
Notable players of Matsumoku guitars[edit]
- Kurt Cobain of Nirvana, Univox Hi-Flier, Epiphone ET-270, Aria Pro II Cardinal Series CS-250, Washburn Force 31
- John Taylor of Duran Duran, Aria Pro II SB-700, Aria Pro II SB-900, Aria Pro II SB-1000 bass
- Cliff Burton of Metallica, Aria Pro II Elite, Aria Pro II Black'n'Gold bass
- Elvin Bishop, Electra Model 2281
- Neal Schon, Aria Pro II PE series guitars (several models)
- Noel Gallagher and Paul 'Bonehead' Arthurs of Oasis played Matsumoku-manufactured Epiphone Rivieras in mid-1990s
- Dave Brock of Hawkwind plays a Matsumoku made Westone Spectrum LX among other Westone guitars
References[edit]
- 'Harayama Guitar Factory - a legendary craftsman who contributed on the excellent instruments - Norikatsu Harayama (luthier)'(Interview). Matsumoto Guitars, Guitar manufacturers in Matsumoto city (in Japanese). Matsumoto: Junk Guitar Museum. 2014-04-13.
- 'Genesis of FujiGen (beginning of the electric guitar production)'. Matsumoto Guitars, Guitar manufacturers in Matsumoto city (in Japanese). Matsumoto: Junk Guitar Museum. 2012.
- citations
Matsumoku Serial Numbers
- ^Ohara, Marcus (2010-02-06). 'THE UNIQUE GUITAR BLOG: Made In Japan - The Matsumoku Industrial Connection'. THE UNIQUE GUITAR BLOG. Retrieved 2017-05-15.
- ^ abcHarayama 2014[In English: '[Sometime between 1946-1951,] When he [Harayama] had been subcontracted with Shinshu Mokko [Shinshu Woodworking Company], he and other two persons, Mr. Aoyama and Mr. Hosokawa, were together making furniture. ... Mr. Tsukada of Shinshu Mokko had often visited there [Sakae-machi ?] for preliminary inspection, and later that place became Matsumoto Mokko. / ... Mr. Tsukada had served as a factory director [of Shinshu Mokko] ... he left the company and founded Matsumoto Mokko in Sakae-machi [, Matsumoto city]. (Matsumoto Mokko was founded in February 1951, and relocated to Minami-Matsumoto in March 1960, and the guitar manufacturing was started in April 1963)']
- ^ abcGenesis of FujiGen 2012[In English: 'They [FujiGen] asked for a cooperation of the wood drying to Tsukada managing director of Matsumoku (later president), and as a result, Matsumoku decided to collaborate on all about the wood including body and neck. (... at the time, subcontracted work of table making for Singer Sewing Machine had been moved to the Philippines, and Matsumoku was facing the needs to look for other work immediately. Thus, it was an unexpected good offer in the view point of Matsumoku, he said) It was in 1963.']
- ^'Aria Guitars About Aria'. Ariaguitarsglobal.com. Retrieved 2017-05-15.
- ^'Models Specifications and Info'. Matsumoku.org. Retrieved 2017-05-15.
External links[edit]
| Wikimedia Commons has media related to Matsumoku. |
- (in Japanese)Nobuaki Hayashi, Atlansia